Located on the edge of the Sants-Montjuïc district, the Tres Chimeneas is a free-standing construction that is flanked by the Fecsa-Endesa offices in the middle of the Jardines de las Tres Chimeneas, a plot delimited by Avenida del Paralelo and the streets of Cabanes, Vilà i Vilà and Palaudàries.
The Three Chimneys are the last vestige of a much larger industrial complex that has now disappeared. These are three isolated buildings that have become a visual landmark and the identity symbol of the Poble Sec neighborhood. Each of the chimneys is 72 m high and up to 4 m in diameter. These are large frustoconical constructions made entirely of red brick on parallelepiped bases of the same material. The chimney shafts are currently banded with metal rings that counteract the many cracks and loss of poise caused by the degradation of their materials. The exterior surfaces of the chimneys do not present any ornamentation, beyond the cornice in the form of a circular eave that crowns the mouth of the chimneys. Currently, a metal staircase runs the entire height of the chimneys until it reaches a platform, also metal, at the foot of this cornice.
Plan of the main facade of the Power Plant, which due to its large size (>2m) was difficult to photograph.
Enlarged image of part of the façade with the main door.
Distribution plan of boilers and water and coal deposits
Location plan of the power plant
Barcelonan Tomás Dalmau founded a company to electrify Barcelona a few days after another world pioneer Tomás did: Thomas Alba Edison.
In the Parque de las Tres Chimeneas, the electrification process began in Barcelona. Around 1880 a way is found to produce electricity for commercial purposes.
Tomás Dalmau, a shopkeeper on the Rambla who dedicated himself to putting lightning rods on buildings, created the Spanish Electricity Society at the beginning of 1881, which later moved to the Three Chimneys. It was one of the first companies in the world created to produce electricity.
The introduction of electricity changed people's lives. A cleaner and safer lighting system was available, before it was done with a flame, and this allowed the working day to be lengthened. Progress was also made in new leisure technologies such as the cinematograph and the gramophone, which Dalmau himself introduced in Barcelona.
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